About your Search

20121201
20121231
Search Results 0 to 4 of about 5
they see igorer w lng around them. liss i knew ts house well, because i used to play across the street from it, anit had beautiful timbe inside and oak fors, and what we got in its place is this motrosity, which certainly esn't fit intoheeighborhood at all. they're pi, ey're fluf, they're g,hey'riendly,here. and it really annoys me that people come in here and don't wa to blend into the neighborhood. narrator: like lissa forshaw, man: jthey either didn't want ous an older house, or they didn't want to fixt up, or money was no object, swith houses cong down and new houses going up, d the w houses unfortunately withhe existg archture. a cole of years o, this was just like a new suburb. there was just simply such an incredible density narratorto geograph, olr uses le this oneonstruction. being replaced by newer ones like these, reflect more than just a local superficial trend. they are the result of global forces from f beyonthis region. here we are now in south shaughnessy in a street where i would guess more than half the houses have been rebuilt within the last five years, and it's a striki
of the wealthy ci that seems so far away. tokyo in east asia, along with los angeles in the u.s. and mexico city, are defined by geographers for their enormous size. tountryazil, the mega-city ofaoau arhas joined the ranks of these world-famousetpolises, size. wi a population of 1million people at the startof t 21st century. sao paulo is a city of immigras, at the startof t 21st century. who built it neighborhood by neighborhood. the first immigrants to arrive were portuguese explorers and jesuit missionaries, who settled here in 1554 and broughthhem brazil's language a religio bureal growth did not begin between 1880 and the 1950s,4 more tn ve million italians came to sao paulo, atacted by jobs in a booming coffee industry. along with these agricultural workers came small business owners and craftsmen who established an italian enclave cled bixiga on the outskirts of the city., geographer fisco scarlato nestudies immigration patterns, assimilation and the expansion of sao paulo. he was an artisan anhe. myaterl grandfher came at the beginning ofhe century. narrator e factory is sti inthan ever.
. the "stoniness" - that's the word he used - the stoniness, the blockiness, the sort of rough eloquence of ancient mexican statuary. (narrator) in 1930, moore wrote: "the sculpture that moves me most is full-blooded and self-supporting. its forms are completely realized and work as masses in opposition. it is strong and vital, giving off something of the energy of great mountains." (narrator) with success came increased self-assurance. in the summer of 1929, he married irina radetzky. moore stopped teaching and began to concentrate on his own work, and he sought out the leaders of surrealism. he met pablo picasso in paris. the ideas underpinning works like picasso's figure carrying a stone began to filter into moore's sensibility, emerging as the four-piece composition. alberto giacometti was also an influence. the swiss sculptor was exploring an abstract style - part biology, part geometry - in works like woman. moore responded with a carved, abstracted head. he continued to explore surrealism and its exploration of what lay beyond the boundaries of logic and reason. moore joined the loose associ
on homer's style beyond his technical instruction in the use of oils. when the civil war began, harper's commissioned the artist to depict life at the front. rovi behind the lines with the potomac army, homer produced a series of closelybserved studies of camp life. homer's paintings of this period have an anecdotal or literary quality in keeping with the traditions of magazine illustration, but he also places new emphasis on pictorial design and the purely visual character of a scene-- qualities typical of the photographs of mathew brady and others. like the photographers of the civil war, whose equipment made action scenes impossible, homer preferred static group formations, and yet the feeling of directness in recording the ordinary lends to his work a special force. prisoners from the front, with its profound sense of the resignation, exhaustion, and human cost of war, evoked the admiration of both critics and the public and brought homer his first recognition as an artist. paris, december 1866. homer arrived for an extended visit and to see prisoners from the front and another of
you have the right to remain silent. you have the right to be heard. anything you say can be used against you... what you say will be listened to
Search Results 0 to 4 of about 5

Terms of Use (10 Mar 2001)